Other web Sites
Harmonica Blues  Harmonica Amps
Archives Home
Years
 · 1992
 · 1993
 · 1994
 · 1995
 · 1996
 · 1997
 · 1998
 · 1999
 · 2000
 · 2001
 · 2002
 · 2003
Amplified Blues Harmonica BBS
Search:
04900 Antiqued Silver Tone Vintage Alloy Microphone Pendant Charms Craft 50pcs

Set 2 pcs Vintage Soviet USSR Russian Microphone Oktava MD-200 and MD-47

VINTAGE 1930S/40S MICROPHONE , BY ELECTRO VOICE, INC

VINTAGE HOLLAND PHILIPS STEREO MICROPHONE STAND

Vintage 1984 Fisher Price AM/FM Radio w Microphone~Works great

Vintage 50' Belden Microphone Cable 8412 Cannon 50 Foot WORKS! 3 Prong

Vintage MIC - EASTERN REGION Railway Enamel Badge #13

Vintage AIWA cassette player/recorder walkman CM-TM22 omnidirectional microphone

Vintage Earlier MIC - EASTERN REGION Railway Enamel Badge #14

Original Astatic 200S : Vintage Custom Bullet Harp Harmonica Microphone HOT !

Original Turner 254: Vintage Custom Bullet Harp Harmonica Microphone !!!

vintage Realistic highball microphone L@@K

Vintage Motorola Desktop Microphone

Western Electric Vintage Hanging Telephone Microphone

Vintage Tesla bakelite microphone - mono - Made in Czechoslovakia 60's

1958 Bill Henry at Microphone Vintage Orig Wire Photo

vintage microphone electro-voice dynamic model 649b

ASTATIC D-104 MICROPHONE & Stand Classic Vintage UGB Stand Made Ohio USA

Vintage ELECTRO - VOICE MODEL 915 Crystal Microphone & Stand - no reserve

1930's Vintage Universal Handi-Mike Model 200-TC Carbon Microphone w/ box (RARE)

B1019 Vintage Euramerican style Music microphone tapes Crystal charm Bracelet

MIC Vintage United Nations Souvenir Tie-Tac Made In USA NICE!!!!

Vintage Advertising 1979 Guitar Player Magazine SHURE Microphone Rod Stewart

Vintage Electro voice 664 chrome microphone

Golden Age Project Pre73 MK2 Vintage Microphone Pre

Vintage Advertising 1979 Guitar Player Magazine SHURE Microphone Tina Turner

Golden Age Project PRE-73 DLX Deluxe Vintage Style Microphone Pre

Vintage Advertising 1979 Guitar Player Magazine SHURE Microphone Mick Jagger

VINTAGE 1987 FISHER PRICE CASSETTE TAPE PLAYER/RECORDER MICROPHONE & PETER PAN

NEUMANN KMS84I VINTAGE PROFESSIONAL CONDENSOR MICROPHONE KMS 84I KM 84 LQQK

1986 Lift Ticket - INCOMPLETE (NO microphone) (vintage Hasbro GI Joe figure)

Electro-Voice 660 Vintage Microphone

1945 Stromberg-Carlson Vintage Microphone and cord navy issue

Vintage Microphone

Custom Vintage Electro Voice Microphone Model 606 with volume control

Vintage Shure Microphone Mixer Model M 68

Rare Antique / Vintage Starr "Mic Mac" Ice Skates

VINTAGE SONY F 99LT STEREO DYNAMIC MIC MICROPHONE

VINTAGE 1920s OLD CARBON SPRING UNIVERSAL MICROPHONE WITH HEAVY METAL STAND !!!

ELECTROVOICE RE-51 VINTAGE MICROPHONE CONDENSER MICROPHONE

Harp-L Archives

[Previous Message] [Next Message]
[Next in Thread]
[Start of Thread] [End of Thread]

From: Chri~world.com
Date: Wed, 24 Jan 1996 18:27:58 -0800
Subject: Re: Chops

> Off the equipment subject: I seem to be able to come up with an endless
>series
>of riffs (which are all variations of about three riffs, but that's another
>problem entirely) but can never put them into anything that resembles a
>tune
>or a solo. I usually wind up playing the riff du jour as a rhythm, then
>try to
>embellish, but it never turns into anything but a boring rhythm line. I'd be

>interested to know how folks go about turning notes into music . . . almost
>everything I hear is about how to get through single notes to riffs, not
>much
>beyond.

I once asked an old friend of mine (who was the greatest pianist I've
ever known) if he would teach me how to play jazz piano. He responded by
saying "No, but I'll refer you to the best music teacher in the world."
I asked him "Who." He pointed to my ears.

His point (for all the Homer Simpsons out there) is that listening is the
BEST way to learn to play music, especially improvised music. LISTEN.
For harmonica players, start by listening to the best. Sonny Boy I & II,
Little Walter, Big Walter Horton, etc. When your ears start hurting,
listen some more. Listen until you can start to hear the notes before
they are played (Theloniuos Monk is hardest to do this with). When you
can hear the notes in your head, then, and only then, you can tranfer
them to your instrument. That's where the second part takes over,
PRACTICE.

Many people feel that practice is the most important part of playing, but
I personally feel that listening is more important. You can practice
licks and riffs all day, and wind up with the greatest technique of
anyone. But when you play, all you'll wind up with is a series of
randomly generate licks and riffs (John Popper? ... no flames please).

Watch some of the best musicians out there. My favorite is Stevie Ray
Vaughan. When he plays, you can tell he's got the chops, but to me it
looks as if his guitar is more of an extension to his body than a musical
instrument he playing. He is hearing (and feeling) music and that music
is exactly what you hear. Its like it goes straight from his brain (or
soul) to his Vibroverb...

Anyways, that's my thoughts...

Chris