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Date: Thu, 15 Aug 2002 08:28:29 EDT
From: Roscoha~ol.com
Subject: re: hangin' on the I & Eddie Harris

- --part1_69.2bafc8e6.2a8cf86d_boundary

Jason Ricci writes:
- -"Not really a call and responce but more like a conversation thats subject
matter >changes naturally.Lastly try starting soft and getting louder very
eventually while
>combining the above techniques and listen to Eddie Harris,Lou Donaldson,Alan
>Wilson&Henry Vestine(canned heat)Little Walter's Roller Coaster,Herby
>Mann,just to start.Hope I helped
>God Bless
>Jason Ricci"

Hey List,
Jason mentions listening to the late Eddie Harris, among others, as a good
way to develop interesting solos over minimal or no chord changes. Eddie is
my favorite soloist on any instrument for the reason that he can develop
ideas & melodies that create interest in even very simple one or two chord
structures. He is the master at improvising a melody & then playing
variations off it; he uses octaves to play call & response with himself; he
uses space; he really builds intensity; he has a huge bag of tricks. Good
stuff for any harp (or sax, or guitar, etc.) player to listen to. Check out
the CD Dancing By A Rainbow for great examples of his funky playing. BTW, he
can also play great bop & standards.
Off to SPAH,

Later, Rosco
maybe august

- --part1_69.2bafc8e6.2a8cf86d_boundary

Jason Ricci writes:

-"Not really a call and responce but more like a conversation thats subject matter >changes naturally.Lastly try starting soft and getting louder very eventually while

>combining the above techniques and listen to Eddie Harris,Lou Donaldson,Alan

>Wilson&Henry Vestine(canned heat)Little Walter's Roller Coaster,Herby

>Mann,just to start.Hope I helped

>God Bless

>Jason Ricci"



Hey List,

  Jason mentions listening to the late Eddie Harris, among others, as a good way to develop interesting solos over minimal or no chord changes. Eddie is my favorite soloist on any instrument for the reason that he can  develop ideas & melodies that create interest in even very simple one or two chord structures. He is the master at improvising a melody & then playing variations off it; he uses octaves to play call & response with himself; he uses space; he really builds intensity;  he has a huge bag of tricks. Good stuff for any harp (or sax, or guitar, etc.) player to listen to. Check out the CD Dancing By A Rainbow for great examples of  his funky playing. BTW, he can also play great bop & standards.

 Off to SPAH,



Later, Rosco

maybe august

- --part1_69.2bafc8e6.2a8cf86d_boundary--