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Custom Shure Green Bullet Harp Mic, 1987 Shure Controlled Magnetic Element

Shure 520DX Green Bullet mic fine shape

Sony Mini 480 Res Helmet Camera NTSC Inline Mic 5V 2.8mm Wide Angle Bullet Cam

Sony Mini 480 Res Helmet Camera PAL Inline Mic 5V 2.8mm Wide Angle Bullet Cam

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STAGE STAND HANGER HOLDER BULLET MIC MICROPHONE TAMBOURINE MANDOLIN VIOLIN VIOLA

NEW rubber bumpers for Shure S36 base used with 520 "green bullet" microphone

Calrad 400C Vintage Harmonica Harp Microphone Japan Bullet Big Walter Horton

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Date: Thu, 24 Jul 2003 06:54:33 +0000
From: "Ludo Beckers"
Subject: Re: Technical Innovations

First that comes to mind:
Carlos Del Junco --effectively using overblows in a bluescontext

Ludo

>What contemporary (living) harp players have polished some technique of
>their playing such that this technique has become an essential part of
>their
>overall style (on one or more CDs)?
>
>
> Here are the ones I can think of:
>
> Howard Levy --Overblows www.levyland.com/audioclips.htm
> John Popper --Speed
> Richard Hunter --counterpoint (playing two distinct melodies at
>once)
>www.hunterharp.com/
> Dave Gage -- Use of tongue switching to play octave jumps quickly,
>sort of like Eddie Van Halen's guitar tapping. www.davegage.com/
>
>Can you think of any others? Do you think any of these contributions more
>important than the others?
>
> --Rick Beall
> www.bluesharp.org

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